Stu Jenks' Fezziwig Press

"The Happy Couple" (c) Stu Jenks 2022

"The Happy Couple, Red Cedar, North Carolina" (c) 2022 Stu Jenks. Price upon request. 

Well. looky there. Our democracy has been saved for another two years at least. 

And I've been saying this for months. The young people, the Gen Z and others, will come out and vote, because Repubs have done nothing on climate change, taken away women's rights, and turned a blind eye to gun control. And they did turn out. The young people will save us. Now. let's just watch the Republicans fight amongst themselves, and watch the policies that Biden and the Congress passed begin to make a difference in Americans lives in 2023. In two words, hot damn. 

And this piece makes reference to Alexa and I: two substantial individuals connect by golden hooks to make a happier, move loving whole. That's what I had in mind when I made this. You can just see it as two pieces of pretty red cedar wood, hanging from a wall too. I'm good with that.

Love y'all, Stu

Circles & Spirals: Stu Jenks' Newsletter #11: August 31st, 2022

"Abandon All Hope, Joe McFall, Hickory Art Museum, North Carolina." (c) Image captures by Stu Jenks, 2022.

1) Before I get into a commentary about Outsider Art and Art in general, a health update: 

Alexa is slowly on the mend. It's going to take a while. 

I'm slowly on the mend. Looks like it's going to take a while for me too.

I'm having nerve pain and gastrointestinal issues, post-radiation on my prostate area, more than I had during the entire 8 weeks of my cancer treatment. I didn't expect that. My lovely urologist Juan in Tucson says it's going to take a few weeks for me to heal, that all of this is normal. My anxiety lessened with those hopeful words from Juan, but the pain and discomfort has not. I'm two weeks out of radiation. I'm not going to freak out until October if it all still hurts the same as today. They say 2 to 6 weeks. Guess that's what it is. Acceptance doesn't mean approval. 

2) Now, some art criticism: 

Included in this newsletter are image captures of Joe McFall's amazing piece "Abandon All Hope", which is on permanent display at the Hickory Art Museum, here in North Carolina. They have an extensive collection of what they call "Folk Art", which I tend to call "Outsider Art". Traditional, this work is made by not formally trained artists who have a certain vision about the world, sometimes religious, sometimes humorous, sometimes fueled by a bit of mental health and substance abuse issues. Notable among these are Vollis Simpson, Horace Pippin, Morace Hirshfield and many others. 

At the Hickory Art Museum, I learned this, or rather I thought this:

There is also bad and exploitative folk/outsider art. Much of what I saw there felt like a con. Sorry but it did.  Some work was amazing too, but other stuff felt like some people were just trying to cash in on the popularity of people like Vollis Simpson, who late in his life, did make some serious coin from his work (as he should have, because he's brilliant), but much of what I saw felt more like a way to make money and less about projecting your artistic vision. Except some pieces, and the work of Joe McFall.

And, not surprisingly, when I got home and searched the internet, I discovered, again, that a lot of this Outsider Art is bringing huge prices at art auctions. 

Let's talk about Joe McFall for a second.

Not much is known of him, and I searched a lot. No wikipedia page. Only auction house tallies of his work sold, not by him but by art collectors. Joe does or did have some serious substance abuse issues. "Abandon All Hope" was created after he got out of a substance abuse detox center. And it appears he was originally from Tennessee. That's about it. I could have found a curator to talk to at the Hickory Art Museum who probably knew more, but I didn't that day. There was a little info on the label for the piece but not much. 

I really love this piece. It shows his views on addiction, both his own and of the world at large. It shows the seriousness and consequences of addictions, but also the humor of living an addict's life. It's a complicate piece and I really liked it. Addiction and recovery is a complicated thing. Just is.

However, what disturbed me, is it appears, by looking at how much money his pieces are bringing at auctions and also, by the inauthentic quality of the some of the work I saw in Hickory, that art dealers are taking advantage of addicts, alcoholics, and mentally ill people, and that pisses me off. Or maybe it's my mood regarding my cancer. Shit, I don't know, but it all smelled bad. 

Where I am truly naive is, art dealers, and art business people have been screwing over artists for centuries, whether they be relatively-sane creative folk like me, or people who have some serious mental health and/or addiction issues. I guess I just should accept it, but it still sucks. And I'm sure Mr. McFall was happy to make money off his work when it initially sold, and I'm going to guess the Hickory Art Museum did not taking advantage of Joe and paid him a fair price.

I, as an artist, have only been majorly fucked with a few times, i.e. aggressive haggling of prices for my work; reneging on the buying of my work after delivery; the stealing of images off the internet; once not getting work back from a gallery; small things like that. I've been lucky to have two great art rep in my life, and really good people I have worked with and who have shown and promoted my work. I'm grateful to all of those good folk. But it still bugs me when artists are taken advantage of by people with money and power.

My mother Mary Jenks once corrected me when I said, "Money is the root of all evil." "No, son," she said, "It is the LOVE of money that is the root of all evil, not the money itself."

Greed and avarice. An old story that never goes away.

This artistic missive here may be tainted with the penile and intestinal pain I'm experiencing now. I don't know. I do know I saw some very good art and some just terrible folk/outsider art at the Hickory Art Museum the other day. And I believe that people like Joe McFall may have been exploited in the past. Not the Hickory people doing it, but the art auction people and the wealthy people who bought his and others' work for a song.  

Here endeth the rant. 

3) Saw some great Grandma Moses paintings in Roanoke, VA recently, as well as a 'perfect' painting by Rockwell Kent from 1943. They are here as well on this post.

4) Remember to registar to vote and to vote in November. Truly our democracy depends on it. And don't fret. Trump will be indicted and convicted for probably a small felony. Proving intent is not necessary. They have him dead to rights. He'll probably cop a plea. He will not be President again, because of this conviction. Now there probably will be certain counties in America I might not want to drive in, given my bumper stickers, but I don't fucking care. I'm a liberal with a handgun and they don't scare me. Most bullies are cowards. 

As I said in January, 2017: There are more of us, Independents, Democrats and reasonable Republicans, then there are of them, the greedy, lying, avaricious fascists. We just need to fucking vote.

It's Roe-vember, baby. 

Love you all, 

Stu

All image captures by Stu Jenks (c) 2022 Stu Jenks, and Grandma Moses, Rockwell Kent, and their estates. 

"Hoop Dancing with a Vollis Simpson Whirligig, North Carolina Museum of Art, Raleigh, NC" (c) 2021 Stu Jenks. 

Circles and Spirals: Stu Jenks' Newsletter #5: 5/23/2022

"Coalmine Canyon East, Navajo Rez, Arizona" (c) 2022 Stu Jenks. 

1) First things first. I got COVID, probably on the plane coming back from Arizona. Yeah, shit. Thank God for the anti-viral medication Paxlovid and having been vaxxed four times. Still was a rough 4 days, fever, chills, coughing, really bad sinus headaches, but today I still have a bit of brain fog, some congestion, a little bit of a cough and a mild headache. Really glad I'm not in the hospital. Really glad I'm not dead. 

2) Went to visit Tucson on the 4th of May. Came back on the 12th. It was wonderful, to see old friends and to simply walk the land I know so well. Went to Coalmine Canyon at sunset, a personal spiritual place I've visited for over 35 years. It's changed some with many tourists now, many meaning any. (Back in the day, I would see no one at all.) That day, I ran into a pair of irritated German tourists who didn't know how to behave, and selfishly had to get their shoots right away, ignoring the fact that there was a guy right there, me, who might have given them some history and some warnings about the place (There are wild dogs there from time to time that will tear you up), but I didn't let them ruin the moment too bad (OK. A little). I took my shots and then I just soaked in the space. It's an amazing space. Feel free to visit, just be respectful. Included here are a few of the best shots I took. By the way, the tall massive hoodoo in the distance is called The Ghost. The place is haunted, say both the Hopi and the Navajo and me. Over the years I have felt the spirits and it's no joke. They are mostly friendly ghosts. Mostly. 

3) I miss my home in the desert. A lot. From the baked eggs at The Cup Cafe to the tortillas at Le Estrella Bakery. But mostly I miss the people, my art community and my recovery community and my friends. All the above. Here in Greensboro, I'm getting to know a few people, but I lived in Tucson for over 35 years. You make a lot of friends in that time, if you're not a jerk. I can be a bit much at times but I'm not a jerk. Thanks everyone who showed me such love and kindness during my time in Tucson. Means the world. Hope to be back soon. 

"La Estrella Bakery, South 12th Avenue, Tucson, AZ" (c) 2022 Mural by Ruben Moreno, image capture by Stu Jenks. 

"  "Old MLK Apartments, Downtown Tucson, AZ" (c) 2022 Mural by Ignacio Garcia, image capture by Stu Jenks. 

4) I still have a bad left leg but I was able to walk a bit in Arizona. Walking the flats near the Mustang Mountains south of Tucson was a joy. Hiking up Cathy's Fault, north of town, just hurt like a son of a bitch, but I had to go up it anyway. At the Mustangs, I drew an spiral on an anthill, for me sure, but also for two people I know who are dying of cancer, and for their friends and family. One has died, the other close to passing. It's very sad. Both are way too young. Both are way too sweet. I'm not praying for their souls. No need. In my belief system, everyone is going to Heaven or a Heaven of sorts. But I do pray for their loved ones who are left behind, grieving, sad. May all of you feel held by God, by me and by all who love you. 

"Spiral for Kris and Al, Mustang Mountains, Arizona" (c) 2022 Stu Jenks. 

5) One of the most memorable moments of my trip was when I was sleeping in my car on the Hopi Rez, along the side of the road one night. It's not a big thing. No one will bother you if you nap in your car. Just lock your doors. Anyway, in the middle of the night I got up for a minute and went outside. I gazed to the south and saw the Milky Way. Not unusual to see it if you are out in the boonies, but what made me say 'wow' out loud, was seeing our galaxy stretch all the way from the Southern horizon, almost all the way to the Northern horizon. I had never seen it stretch that far north. The sky seemed both close enough to touch and a billion miles away. Marvelous. The next morning I thought of dropping in on my Hopi friends but it was way too early to do that. I took an image of their village instead. The Youvella and Kinale families and all the others, may your days be blessed. Hug the kids for me. 

"Polacca and Nipple Butte In The Distance, First Mesa, Hopi Rez, Arizona" (c) 2022 Stu Jenks

6) Again, got back from Tucson, safe but not sound. Pretty sure I got COVID on the plane when I sat next to someone who I believe may have been sick. Frankly 2/3 of the plane were unmasked. WTF. Anyway, I'm out and about again. Took a pic of Pamela's Baby Rocking Chair along a little-traveled train track in rural North Carolina. Went up to the Blue Ridge Parkway, to get my fix of looking-far-into-the-distance. It's good to be home in NC. It's a little odd to feel at home in two places, one in Arizona and another in North Carolina, but it's certainly better than not feeling at home at all. A lot of people are homeless too you know, and just as bad, many people don't feel like they have a home even though they have a place to live. Alexa and I am truly blessed. 

"Pamela's Baby Rocking Chair, Beaver Dam Branch, North Carolina" (c) 2022 Stu Jenks. 

7) Alexa got the COVID too, from me don't you know, but she is much better now too. We are both grateful that we didn't get that sick. She says hey.

"Pink Dogwood On Our Street, Greensboro, NC" (c) 2022 Stu Jenks. 

8) So that's it for now. Thank all of you who sent prayers and good wishes on the social medias, texts, IMs and phone calls during our illnesses. Alexa and I are very happy to be on the mend. One last thing: Alexa's dad, Norman Smith, lives just down the street. Over the past week, he has dropped off fresh strawberries from his garden. As the wise man said, that does not suck. Alexa and I do live in a lovely part of the world. I know I may be overusing this word today, but we feel truly blessed. And you too. Have a blessed day. Saying that doesn't mean you are religious. It just means you are grateful. 

Love, light and luck, 

Stu

"The Road East, Coalmine Mesa, Navajo Rez, Arizona" (c) 2022 Stu Jenks. 

 

Circles and Spirals: Stu Jenks' Newsletter #2: 4/7/22

Hey everyone,

1) Went to SECCA recently (The Southeastern Center for Contemporary Art in Winston-Salem) and saw an amazing show entitled. Black@Intersection: Contemporary Black Voices in Art, curated by Duane Cyrus, a prof at UNC-G. So much great work from all over the world. One of my favorites is "Cupid" by Wolly McNair, out of Charlotte. (A jpeg of this is above) I reached out to Wolly and he is a very sweet and spiritual man. A delight to chat with him on Instagram.

I also went to the Nasher Museum of Art over at Duke a few weeks ago and saw a show about North Carolina Artists Today, many if not most were Black artists.

In three words, It's fucking time.

When I was in art school the big thing was, "Let's promote women artists. The time of white guys only making art and getting it seen should be over." And for the most part it is. It appears in my absence from North Carolina since the early 80's, they have decided it's time to promote artists of color and women artists too, beside just the white guys. I couldn't be happier.

Except for this one little thing. The work by these younger artists is so good and so thoughtful, it makes me want to stop making stuff. That feeling only lasted a day or two, but in the back of my mind, do we really need more me? Perhaps yes, perhaps no, but I'm happy as a clam in cool sand that the art world is including the other 70% of the American population now, not just the white guys.

2) Went to the Dean Dome to watch the NCAA Championship game, but mostly just to see the building from the inside. It is amazing to sit in the stands, for free no less. I left early in the first half of the game, for a number of reasons, a) I really couldn't see the game that well on the four big screens, b) I could hear well either, and c) I had a gut feeling we were going to lose, and I could tell that if UNC lost, it might get ugly here. Not by the students but from the middle aged guys who came that night, who were already angry it appears, I don't know why. I drove home to Greensboro and watched the second half on my TV. Carolina lost to Kansas but it was OK. We beat Duke in the semifinal game and Hubert Davis and all the guys had a great end of their season. Fun fact: I'm now a born again U of A fan. I'm loving me some Tommy Lloyd. Excited about the future of Arizona basketball. And of course I love the Zags. A good year of college basketball. Now onto the NBA. Go Suns.

3) Being poor sucks. Really sucks. I get a small retirement and I'm working part time being a Legal Zoom Monitor but I don't make that much money really. And image and sculpture sales are way down, but I'm still making a little coin from the music online. I'm just poorer than I've been since the 1980's. I have everything I need but I'm not sure where I'm going to get the money to print the new Step Zero book. And I need new glasses. And new shoes. And a tune up for the truck. Heavy sigh. I know as we get older, we live more on fixed incomes and such, but Jeez Louise. I'm not trying to manipulate anyone into giving me money. Just being transparent about what it's like to be a creative person in my late 60s and not having a lot of extra cash and not selling that much. And baby needs a new pair of shoes or rather hiking boots. But if I talk about it, I'll be less depressed about it. I know that. And it reminds me to be grateful for what I have. Unlike the Talking Heads song, this is my beautiful house. This is my beautiful wife.

4) Speaking of beauty, about half of all the houses on our little street have dogwood trees. The street's ablaze with white and pink flowers. It's really nice. I've been more of a Fall and a Winter person in the past, but I think I get Spring now. The trees and flowers and birds are waking up and having sex with each other, so to speak. The robins and bunnies in our backyard certainly are. It's sweet. I've actually named two of the bunnies, who have scars on their bodies so I can identify them. Bruno and Roberta, They are hard to photograph but I'll try and get some pics of them for you in the future.

5) and lastly, I've visited an undisclosed part of the Haw River a couple of times, harvesting some dead Red Cedar wood for my Late Stage Capitalism sculpture series. Don't think I'm on private property, hopeful it's county or state property and I'm just salvaging dead wood and not that much of it, but I do see those no trespassing signs way over there and it doesn't make me happy. I'm positively Native about land ownership. It's good to have a little piece of land to live on and to ranch or farm it, but to individually own large tracts of land for no other purpose then to make money, drives me a little nuts. 42% of the state of Arizona is owned by the federal government, which means I can walk and hike almost all of that. (If you add the AZ Land Trust Land, it's way over 50% I'm sure.) I know I'm on the east coast where white men have owned land, property, women and Africa-Americans for centuries. I know the history. Women? Less ownership for the past 50 years. Blacks? Well, lynching doesn't happen anymore, but we don't get points for that. I digress. No Trespassing signs just piss me off, particularly when I'm in the middle of nowhere, near a river, having walked through spider webs and stickers to get there. I'm a Westerner, a desert rat. I know I'm not in Kansas or the Sonoran Desert anyway. Just trying to find my way in a land that really isn't my home. Gathering four or five cedar sticks, then bringing them home, cutting, sanding and oiling them, and making art from them, helps me get through. Makes me quite happy. And I like giving walking sticks away to people I love too. It does not suck. And boy doesn't my workshop/garage smell great after I"ve been stripping some cedar bark. Lovely.

Life is good, unless I start to think about it too much, but it's good if I feel it. Just feel the feelings and let it go and all that good shit. But that does work. I'm feeling it right now and in the here and now, it's all good.

I have love and life and dogwoods. 

Love you all

Keep your lamp trimmed and burning.

Stu

The Late Stage Capitalism Series by Stu Jenks

 

Elton “Ellie” Swann, Spiral Red Oak, North Carolina” (c) 2022 Stu Jenks, 38 inches tall, $295 (Shipping included in the price.)

 

 

The Vision Statement for the Late Stage Capitalism Series by Stu Jenks.

 

"Late capitalism is a pyramid racket on a global scale...getting the suckers to believe it's all gonna go on forever.” -Thomas Pynchon, Bleeding Edge, 2013

Things are falling apart.

I can go through the litany of all the broken things, but you all know what I’m talking about: Greed and avarice are the new religion; The world is heating up, storms worsen, ice melting, CO2 increasing and it’s mostly the fault of old white men, who have money, power and who don’t give a shit about you or me or the future; Racism, sexism and classism had a few years of being on the wane, but now they’re back, shameless and in the forefront of our national and global politics (or perhaps it’s always been there); and the gap between the have and have-nots is greater than during The American Gilded Age, the rich get richer and the sick stay poor.

Botton line? I think it’s all coming apart, slowly, profoundly, fatally.

As an artist, I think it is my responsibility to show the hard things in the world as well as to make pretty things.

So…here is my new series of wall pieces. They started out whole, some as functioning walking sticks, some just as works of art. Now, I’ve cut them into pieces, to be hung like trophies on the wall, wildlife skulls of a dying world.

Each piece is named after a character from one of my four post-apocalyptic Step Zero novels. The world these people live in is only 50 years in the future, but I think it’s quite possible that our world too, could almost come to an end if all the oil goes away in a nuclear flash. And I also think it’s possible, that in that aftermath, we Americans would rebuilt our country, valuing the simple things: love, generosity, justice, humor, music, sobriety, feelings, consideration, and family. At least that is my prayer.

I pray also that I fulfilled the paradox of addressing a heavy subject here, and also making beautiful objects for you to enjoy.

It’s tricky, don’t you know. All of it.

Arthur "Artie" Saum, Desert Agave, Arizona (c) 2022 Stu Jenks, 59 inches tall, $200 (Shipping included in the price)

 

Balthazar "Balth" Stone, Mountain Laurel, North Carolina (c) 2022 Stu Jenks, 54 inches tall, $250 (Shipping included in the price.)

 

 

Tohono Chul 10 x 10 show 2022

From March 4th until May 29th, 2022, Tohono Chul Park in Tucson, Arizona is having their annual 10 x 10 fundraiser. A ton of art work created by a bunch of artists.

Everything is 10 inch by 10 inch, bagged and boarded, all for the low low price of $100. I have five pieces there. If you don't see the work of mine that you want on display, just ask James or any of the great museum staff and they will help you out. Great people.

10 x 10 helps Tohono Chul and it'll helps me. Good all around. (I get $50, they get $50 for each sale.)

And if you want something specific of mine, you may want to get up there early.

Love y'all.

Stu.

Hoop Dancing with Vollis Simpson...

"Hoop Dancing with Vollis Simpson, North Carolina Museum of Art, Raleigh, North Carolina" (c) 2022 Stu Jenks.

 

Four different versions, four different dances.

Everything you see is on the digital negative. No layering. Some color enhancement and cropping but that's about it. Battery powered Christmas lights make the hoops. Exposure times between 3 and 10 minutes.

And thank you to the very nice security guard who let me shoot without permission from the museum. Sweet, smart man.

For prints and image right sales, just email me at stujenks at gmail dot com.

Keep your lamp trimmed and burning,

Stu.

Tobacco Barn, Caswell County, North Carolina

"Tobacco Barn, Caswell County, North Carolina" (c) 2021 Stu Jenks

As I was taking this image, I could see the final composition in my mind's eye. I love fine elegant composition. I like how easy my eye moves around this photograph: down the roof line, back up to the trees, resting on the upper door and the red wood for a second, then back down the roof line again. I'm also grateful to have really good glass (Canon 70-200 mm f/2.8 IS lens) to make it all happen.

My father used to say, "it's a sad dog that won't wag its own tail" 

Well, Dad, I'm wagging here.

A day at the Great Smoky Mountains National Park

All photos (c) Stu Jenks 2021

Sarah Spencer and Charlsie Dickson

"Sarah Spencer, Ashe County, North Carolina" (c) image capture 2021 Stu Jenks.

 

"Charlsie Dickson, Ashe County, North Carolina" (c) image capture Stu Jenks 2020.

 

On Joe Thomas Road, not far from my wife's family farm, is an small cemetery. Atop a hill, surrounded by mountain pastures and farm land, this cemetery is a lovely spot to stop, walk, and look around.

I've walked the grounds a couple of times. The first time in 2020, I found little Charlsie's portrait, her having died in 1926 at age 8.

A few weeks ago, I found Sarah's grave. Unfortunately, I did not photograph her whole stone so I don't precisely know when she died and how old she was, but I recall she was in her 30's and she also died in the early 20th century.

I'm struck by Sarah's beauty and her passionate intelligent eyes. Speaking of eyes, and I may be projecting here, but Charslie looks so sad. Sweet and sad. But that could be my 21st century prejudices.

One thing I do know is the survivors pay for the grave stones. You can tell Charslie's parents loved her very much, enough to spend the money for a ceramic photo plaque. Those were not cheap, nor were the stones themselves. And Sarah's husband purchased a very fine stone too, and got a photo plaque made of her beautiful face.

Now I'm guessing here. I can see Sarah's husband visiting her grave often just to see her face. She was stunning with smart and kind eyes. I'm sure he missed her a lot. I can see why.