"Abandon All Hope, Joe McFall, Hickory Art Museum, North Carolina." (c) Image captures by Stu Jenks, 2022.
1) Before I get into a commentary about Outsider Art and Art in general, a health update:
Alexa is slowly on the mend. It's going to take a while.
I'm slowly on the mend. Looks like it's going to take a while for me too.
I'm having nerve pain and gastrointestinal issues, post-radiation on my prostate area, more than I had during the entire 8 weeks of my cancer treatment. I didn't expect that. My lovely urologist Juan in Tucson says it's going to take a few weeks for me to heal, that all of this is normal. My anxiety lessened with those hopeful words from Juan, but the pain and discomfort has not. I'm two weeks out of radiation. I'm not going to freak out until October if it all still hurts the same as today. They say 2 to 6 weeks. Guess that's what it is. Acceptance doesn't mean approval.
2) Now, some art criticism:
Included in this newsletter are image captures of Joe McFall's amazing piece "Abandon All Hope", which is on permanent display at the Hickory Art Museum, here in North Carolina. They have an extensive collection of what they call "Folk Art", which I tend to call "Outsider Art". Traditional, this work is made by not formally trained artists who have a certain vision about the world, sometimes religious, sometimes humorous, sometimes fueled by a bit of mental health and substance abuse issues. Notable among these are Vollis Simpson, Horace Pippin, Morace Hirshfield and many others.
At the Hickory Art Museum, I learned this, or rather I thought this:
There is also bad and exploitative folk/outsider art. Much of what I saw there felt like a con. Sorry but it did. Some work was amazing too, but other stuff felt like some people were just trying to cash in on the popularity of people like Vollis Simpson, who late in his life, did make some serious coin from his work (as he should have, because he's brilliant), but much of what I saw felt more like a way to make money and less about projecting your artistic vision. Except some pieces, and the work of Joe McFall.
And, not surprisingly, when I got home and searched the internet, I discovered, again, that a lot of this Outsider Art is bringing huge prices at art auctions.
Let's talk about Joe McFall for a second.
Not much is known of him, and I searched a lot. No wikipedia page. Only auction house tallies of his work sold, not by him but by art collectors. Joe does or did have some serious substance abuse issues. "Abandon All Hope" was created after he got out of a substance abuse detox center. And it appears he was originally from Tennessee. That's about it. I could have found a curator to talk to at the Hickory Art Museum who probably knew more, but I didn't that day. There was a little info on the label for the piece but not much.
I really love this piece. It shows his views on addiction, both his own and of the world at large. It shows the seriousness and consequences of addictions, but also the humor of living an addict's life. It's a complicate piece and I really liked it. Addiction and recovery is a complicated thing. Just is.
However, what disturbed me, is it appears, by looking at how much money his pieces are bringing at auctions and also, by the inauthentic quality of the some of the work I saw in Hickory, that art dealers are taking advantage of addicts, alcoholics, and mentally ill people, and that pisses me off. Or maybe it's my mood regarding my cancer. Shit, I don't know, but it all smelled bad.
Where I am truly naive is, art dealers, and art business people have been screwing over artists for centuries, whether they be relatively-sane creative folk like me, or people who have some serious mental health and/or addiction issues. I guess I just should accept it, but it still sucks. And I'm sure Mr. McFall was happy to make money off his work when it initially sold, and I'm going to guess the Hickory Art Museum did not taking advantage of Joe and paid him a fair price.
I, as an artist, have only been majorly fucked with a few times, i.e. aggressive haggling of prices for my work; reneging on the buying of my work after delivery; the stealing of images off the internet; once not getting work back from a gallery; small things like that. I've been lucky to have two great art rep in my life, and really good people I have worked with and who have shown and promoted my work. I'm grateful to all of those good folk. But it still bugs me when artists are taken advantage of by people with money and power.
My mother Mary Jenks once corrected me when I said, "Money is the root of all evil." "No, son," she said, "It is the LOVE of money that is the root of all evil, not the money itself."
Greed and avarice. An old story that never goes away.
This artistic missive here may be tainted with the penile and intestinal pain I'm experiencing now. I don't know. I do know I saw some very good art and some just terrible folk/outsider art at the Hickory Art Museum the other day. And I believe that people like Joe McFall may have been exploited in the past. Not the Hickory people doing it, but the art auction people and the wealthy people who bought his and others' work for a song.
Here endeth the rant.
3) Saw some great Grandma Moses paintings in Roanoke, VA recently, as well as a 'perfect' painting by Rockwell Kent from 1943. They are here as well on this post.
4) Remember to registar to vote and to vote in November. Truly our democracy depends on it. And don't fret. Trump will be indicted and convicted for probably a small felony. Proving intent is not necessary. They have him dead to rights. He'll probably cop a plea. He will not be President again, because of this conviction. Now there probably will be certain counties in America I might not want to drive in, given my bumper stickers, but I don't fucking care. I'm a liberal with a handgun and they don't scare me. Most bullies are cowards.
As I said in January, 2017: There are more of us, Independents, Democrats and reasonable Republicans, then there are of them, the greedy, lying, avaricious fascists. We just need to fucking vote.
It's Roe-vember, baby.
Love you all,
Stu
All image captures by Stu Jenks (c) 2022 Stu Jenks, and Grandma Moses, Rockwell Kent, and their estates.
"Hoop Dancing with a Vollis Simpson Whirligig, North Carolina Museum of Art, Raleigh, NC" (c) 2021 Stu Jenks.