Over the next year, I'll be featuring old and new images on the StuBlog.
This one was shot using an old Rollei loaded with Ilford black and white film, printed on Fuji Crystal Archive color paper in a chemical darkroom, the old Toole Shed darkroom, which is sadly no more. The space is now storage for a defunct hipster clothing boutique. The sinks are still there but the enlarger and processor are long gone.
Everything changes, but sometimes the change is for the worse.
It's a sin to kill a Mockingbird, or to cut down a Dogwood tree. It's also a sin to take apart a perfectly good chemical darkroom.
Image: "Queen Esther Baptist Church, Lancaster, Virginia" (c) 2011 Stu Jenks (Just down River Road from Victoria's house. Love that luscious red carpet. And for you nocturnals out there, it was handheld. Rare for me.)
In this time of making photos on iPhones and Macbook Pros and only looking on screens, I forget I'm a old-school guy. I make a 8 1/2 x 11 work print on archival paper of EVERY image I make. EVERY one. It's the only way, for me, to accurately check for color shift, density, composition, etc. I really like my iPad screen but it's no way to make a good print.
And I have hundreds, if not thousands, of work prints artist proofs at my studio.
If you see an image of mine on The StuBlog or on my old website or on the Fezziwig Press Store or in any of my books, there's a beautiful small print in a box somewhere, perhaps with your name on it. And since I'm organized, I can find it.
Many of you can't afford my larger prints. I understand. I don't have an extra 50 or 100 lying around either. But I do have an extra $20 for stuff I really like.
So if you see an image of mine on any of my sites or in any of my books and you want it, it's yours for $25, shipping, handling and tax included. (I believe in paying taxes, sales and otherwise.)
Just email me at my facebook page or through the StuBlog or at firstname.lastname@example.org, and tell me what print you would like or just pull the jpeg and send that to me.
I was just watching the Tarhells lose today in basketball, working on images at my computer when I thought, 'I bet people don't realize I have boxes of work prints here.'
You all do now.
Love and light,
p.s. Ignore the catagories belows. The computer went wacky. Another reason why I prefer a print in the hand as opposed to an image in The Cloud.
The first draft of the novel is done!!! It came in at 149,000 words, 552 pages in my document. Yeaaaa! I can't tell you how good it feels. The ending made me cry, as I hope it does you. (Last word in the novel, which won't change in revision: Sighs.) I want to jump right back to the beginning and start revisions, but Mary Ann suggests I take more than just a couple days off. OK. I'll take off three or four days. LOL. But then it's fixing this and revising that, then off to the editors. And I have ideas for the next novel in this series, too. I have some pretty great characters, I think, and I want to see what they will do next. But first things first. Get this novel to print.
One serious note: It took about a year to write this novel, but it almost didn't get done. With Mary and Pamela dying and all, I didn't work on it for about six weeks and it was so hard to get my momentum back. But I did. But it was difficult. If you are working on a novel or a large work, I recommend you plow through, even if the field is frozen. I've been told I'm very lucky to have gotten back on track.
Speaking of track, good luck to Danica Patrick tomorrow in the Daytona 500 and in the rest of Sprint Cup and Nationwide races this season. I might just have to go up to PHX next Saturday to watch her race.
By the way, did I mention I finished the freaking first draft of the novel?