The Fezziwig News by Stu Jenks

"Blue Window"

"Blue Window, Arivaca, Arizona" (c) 2012 Stu Jenks

I really hate HDR (High Dynamic Range) Photography. Can't stand it. I know it's popular and all, but it's too much like a big orange drink to me. I prefer unsweetened tea. I say that, for the blue you see in the above image was there when I shot it. Just the beauty of the reflected late afternoon light inside a burned-up house. No fiddling. Now the photo below is fiddled with, a graphic, full-black-full-white image to be used as a chapter-heading for my new novel (I can't afford to print the novel in four colors, so only black and white graphic images in it. Plus black and whites work better given the subject matter. You'll see.) But the above image is simply the product of good Arizona light on a nice day. Here endeth the sermon.

 

"Monument Valley Road, Utah"

"Monument Valley Road, Utah" (c) Stu Jenks 2012

As seen in numerous automobile commercials, the iconic U.S. Highway 163.

This one goes out to William Todd-Jones. Sorry I missed you when you were in The States. Next time.

Bear Butte, South Dakota

"Bear Butte, South Dakota"

All images (c) 2012 Stu Jenks

I like to talk. Ask anyone. I'm not going to say much here. Here's a wikipedia excerpt about the place.

"Human artifacts have been found on or near Bear Butte that date back 10,000 years, indicating a long and continuous interest in the mountain.The Cheyenne and Lakota people have maintained a spiritual interest in Bear Butte from their earliest recorded history.

Notable visitors like Red Cloud, Crazy Horse, and Sitting Bull made pilgrimages to the site. In 1857, a council of many Indian nations gathered at Bear Butte to discuss the growing presence of white settlers in the Black Hills.

Violating a treaty of 1868, George Armstrong Custer led an expedition to the Black Hills region in 1874, and according to custom he camped near Bear Butte. Custer verified the rumors of gold in the Black Hills, and Bear Butte then served as an easily identifiable landmark for the rush of invading prospectors and settlers into the region. Indian reaction to the illegal movements of whites into the area was intense and hostile. Ultimately the government reneged on its treaty obligations regarding the Black Hills and instead embarked on a program to confine all northern Plains tribes to reservations.

Ezra Bovee homesteaded on the southern slopes of the mountain, and by the time of World War II, he and his family were the legal owners of the site. In the spring of 1945, the Northern Cheyenne received permission from Bovee to hold a ceremony at Bear Butte to pray for the end of World War II. The Cheyenne found that the Bovee family welcomed their interest in the mountain, and over the years the Bovees continued to encourage native religious ceremonies.

By the mid-1950s Ezra Bovee was attempting to stir up interest in making Bear Butte a national park. After his death, his family continued the effort. When federal interest in the project waned, the state government in Pierre took action, and Bear Butte became a state park in 1961 and was registered as a National Historic Landmark in 1965.

Frank Fools Crow, the Lakota ceremonial chief (d. 1989), made pilgrimages to Bear Butte throughout his lifetime. Fools Crow taught racial harmony not just between whites and Indians, but among all the peoples of the world. He believed the Lakota should never sell the Black Hills. A bust and plaque in front of the education center at Bear Butte State Park honor Fools Crow’s efforts." - Wikipedia.

All 8 1/2" x 11" A/P archival pigment prints by Stu Jenks for $25, shipping, handling and taxes included...

Image: "Queen Esther Baptist Church, Lancaster, Virginia" (c) 2011 Stu Jenks (Just down River Road from Victoria's house. Love that luscious red carpet. And for you nocturnals out there, it was handheld. Rare for me.)

In this time of making photos on iPhones and Macbook Pros and only looking on screens, I forget I'm a old-school guy. I make a 8 1/2 x 11 work print on archival paper of EVERY image I make. EVERY one. It's the only way, for me, to accurately check for color shift, density, composition, etc. I really like my iPad screen but it's no way to make a good print.

And I have hundreds, if not thousands, of work prints artist proofs at my studio.

If you see an image of mine on The StuBlog or on my old website or on the Fezziwig Press Store or in any of my books, there's a beautiful small print in a box somewhere, perhaps with your name on it. And since I'm organized, I can find it.

Many of you can't afford my larger prints. I understand. I don't have an extra 50 or 100 lying around either. But I do have an extra $20 for stuff I really like.

So if you see an image of mine on any of my sites or in any of my books and you want it, it's yours for $25, shipping, handling and tax included. (I believe in paying taxes, sales and otherwise.)

Just email me at my facebook page or through the StuBlog or at stujenks@gmail.com, and tell me what print you would like or just pull the jpeg and send that to me.

I was just watching the Tarhells lose today in basketball, working on images at my computer when I thought, 'I bet people don't realize I have boxes of work prints here.'

You all do now.

Love and light,

Stu

p.s. Ignore the catagories belows. The computer went wacky. Another reason why I prefer a print in the hand as opposed to an image in The Cloud.

Nampeyo (1860?-1942) and Rhonda Holy Bear (1959-

"When I first began to paint, I used to go to the ancient village and pick up pieces of pottery and copy the designs. That is how I learned to paint. But now, I just close my eyes and see designs and I paint them." - Nampeyo.

 

It's worth getting off the Interstate or taking a cab from the airport if you have a three hour layover or simply worth a special trip.

Denver Art Museum's American Indian Art Collection.

I made my third journey to DAM's Native collection just a couple weeks ago. It has a wonderful permanant collection and newer work by living Native artists they rotates in and out.

Included in this post is some work by Nampeyo, the famous Hopi potter and by Rhonda Holy Bear, the Cheyenne River Sioux artist, plus a detail image of Standing Bear's tipi and an Edward Curtis photograph of a Hopi potter.

At each visit, I see something old that I knew I loved and something new I didn't know existed. Isn't that what a great museum visit is all about?

So visit the Denver Art Museum when ever you have the chance.

Oh, and yea, they have some pretty good stuff by some white folk too.

All images (c) Stu Jenks 2012 except for the Curtis of course (but I did take the pic of his photo. And a friend just told me it is of Nampeyo herself. Great image. A great potter.)

 

"Lusk, Wyoming Hoop Dance"

"Lusk, Wyoming Hoop Dance" (c) 2012 Stu Jenks

I'm feeling a little lost in my life.

I think I'm a little lost in Wyoming.

At least my insides match my outsides.

"Hoop-Dancing With An Angel/Ghost"

"Hoop-Dancing With An Angel/Ghost, Dragoon Springs, Arizona" (c) 2012 Stu Jenks

"From The Saddle At Owl's Head..."

"From The Saddle At Owl's Head, Arizona..." (c) 2012 Stu Jenks

Many of y'all are familiar with my images of Owl's Head (See the image at the bottom), yet few of y'all have seen the view from Owl's Head. Here are a couple taken last week from the saddle.

...The first draft of the novel is done!!!...

The first draft of the novel is done!!! It came in at 149,000 words, 552 pages in my document. Yeaaaa! I can't tell you how good it feels. The ending made me cry, as I hope it does you. (Last word in the novel, which won't change in revision: Sighs.) I want to jump right back to the beginning and start revisions, but Mary Ann suggests I take more than just a couple days off. OK. I'll take off three or four days. LOL. But then it's fixing this and revising that, then off to the editors. And I have ideas for the next novel in this series, too. I have some pretty great characters, I think, and I want to see what they will do next. But first things first. Get this novel to print.

One serious note: It took about a year to write this novel, but it almost didn't get done. With Mary and Pamela dying and all, I didn't work on it for about six weeks and it was so hard to get my momentum back. But I did. But it was difficult. If you are working on a novel or a large work, I recommend you plow through, even if the field is frozen. I've been told I'm very lucky to have gotten back on track.

Speaking of track, good luck to Danica Patrick tomorrow in the Daytona 500 and in the rest of Sprint Cup and Nationwide races this season. I might just have to go up to PHX next Saturday to watch her race.

By the way, did I mention I finished the freaking first draft of the novel?

Yeaaaaaaaaa!

"Culvert on the Gabe Zimmerman Trail"

"Culvert on the Gabe Zimmerman Trail, Arizona" (c) 2012 Stu Jenks