The News from Stu Jenks (http://www.stujenks.com) & Fezziwig Press (http://www.fezziwigpressonline.com).
Nocturnal, Daylight, Toy, Infrared, Portrait, Sport & Nature Photography; News Of The Road & Of The Land; Stories Of Family, Spirit & The-World-At-Large.
(Contact Stu Jenks via email at stujenks at gmail dot com to purchase prints, books, CDs, & image, story and music rights.)
"The Blessing Hoops, Coalmine Canyon, Navajo/Hopi Joint Use Area, Arizona" (c) 2012 Stu Jenks
3G has hit the Rez. I was actually texting and talking on the phone, at times, while shooting on Wednesday night. You might think that might be distracting but it was nice and then became deeply meaningful.
At one point, one of the friends I was texting, asked if I would ask the Spirit of Coalmine Canyon to bless her children. How touching. Of course, I texted back. (I won't say who she was, but it's not who my closest friends might think. Another mother.)
So I prayed to the Canyon, asking for Blessings and Love for her and for her children. And then I prayed for other children, and for other friends, and for people I don't call friend, and for people who are stangers to me. Blessings. Love. Blessings. Love. I cried. It was very nice.
After prayers, I danced with my Christmas hoop lights along a tall fin of white mud rock. This is the image that came from that dance and from those prayers.
From top to bottom: "Dinosaur Tracks, We're Open, Navajo Reservation, Arizona", "C.J.'s Fault, Dripping Springs, Arizona", "White Prayer Point (with truck), Hopi Reservation, Arizona", "Dawn at White Prayer Point, Hopi Reservation, Arizona", and "Coal Mine Canyon at Mid Morning, Arizona". All images (c) 2012 Stu Jenks
All images taken with an iPhone 4S on November 19th & 20th, 2012, then processed, just a little, using Photoshop CS5. Fun fact: They are wonderfully large files for smart phone shots. All photographs are copyrighted 2012 Stu Jenks. If you want to use or buy them, just ask. Thanks y'all. Love, light, and luck, Stu.
Image: "Queen Esther Baptist Church, Lancaster, Virginia" (c) 2011 Stu Jenks (Just down River Road from Victoria's house. Love that luscious red carpet. And for you nocturnals out there, it was handheld. Rare for me.)
In this time of making photos on iPhones and Macbook Pros and only looking on screens, I forget I'm a old-school guy. I make a 8 1/2 x 11 work print on archival paper of EVERY image I make. EVERY one. It's the only way, for me, to accurately check for color shift, density, composition, etc. I really like my iPad screen but it's no way to make a good print.
And I have hundreds, if not thousands, of work prints artist proofs at my studio.
If you see an image of mine on The StuBlog or on my old website or on the Fezziwig Press Store or in any of my books, there's a beautiful small print in a box somewhere, perhaps with your name on it. And since I'm organized, I can find it.
Many of you can't afford my larger prints. I understand. I don't have an extra 50 or 100 lying around either. But I do have an extra $20 for stuff I really like.
So if you see an image of mine on any of my sites or in any of my books and you want it, it's yours for $25, shipping, handling and tax included. (I believe in paying taxes, sales and otherwise.)
Just email me at my facebook page or through the StuBlog or at firstname.lastname@example.org, and tell me what print you would like or just pull the jpeg and send that to me.
I was just watching the Tarhells lose today in basketball, working on images at my computer when I thought, 'I bet people don't realize I have boxes of work prints here.'
You all do now.
Love and light,
p.s. Ignore the catagories belows. The computer went wacky. Another reason why I prefer a print in the hand as opposed to an image in The Cloud.
Frankly, I didn't know you could sell photography on Etsy. I was wrong. Happy to be wrong.
Book sales are OK (I say with a slight wince), but art sales have been down the last year or so. We are in The Great Recession, don't you know. But I completely understand.
It's easier, in this economy, to buy a $12 CD or $10 eBook or a $20 hardback book, than it is to buy a $100 to $200 print, or a large, more expensive, framed piece. That is, if you are part of the 99%, or the 90%, or the lower 50%. (I'm in the lower 28%. I looked it up.)
Good news: The new CD will be shipped next week. More on that later. I may have a CD release party but I have a very small studio. But I'm thinking about it. Maybe in the parking lot, some night, during the Festival OF Books in March.